William Hutchinson’s extra-illustrated Durham
Introduction
Biography
Contents
Arrangement
Related material - here
Related material - elsewhere
Bibliography

Catalogue

Reference code: Sel.11-15
Title: William Hutchinson’s extra-illustrated Durham
Dates of creation: between c.1770 and 1814
Extent: 3 bibliographic vols bound in 5 physical vols
Held by: Durham Cathedral Library
Origination: William Hutchinson (1732-1814)
Language: English

Biography

William Hutchinson, topographer, literary author, and freemason, was born and spent his boyhood in Durham, but later set up practice as a solicitor in Barnard Castle, and also held the office of clerk to the lord lieutenancy. His legal practice failed to flourish, leaving abundant time for pursuit of his historical and other interests. His Excursion to the Lakes in Westmorland and Cumberland appeared in 1774, and his A View of Northumberland, with an Excursion to the Abbey of Mailross in 1778-9, after which he and Thomas Pennant, the antiquary and travel writer whose portrait is among the extra-illustrations in these volumes, agreed not to compete with each other in publishing tours of the northern counties. Hutchinson became a friend of George Allan of Blackwell Grange, who made available to him the extensive collections he had accumulated towards a history of Co. Durham. The first volume of Hutchinson’s History … of Durham, was published in Newcastle in 1785, and the second in 1787; the third, after a dispute with his Newcastle publisher, Hodgson, appeared under a Carlisle imprint in 1794. He also published a history of Cumberland, an account of antiquities in Lancashire, and a work on freemasonry which went through several editions. Poems, plays and tales also poured from his pen, only some of which ever found their way into print.

Contents

William Hutchinson’s annotated and extra-illustrated set, on large paper, of his own work, The History and Antiquities of the County Palatine of Durham, 1785-94: 3 bibliographical vols (lacking part of vol. 3), bound in 5 physical vols. The ms additions to the text, all in Hutchinson’s hand, are largely transcripts of sources to which he had referred in the printed text (apparently mostly transcribed from copies among George Allan’s collections, rather than from originals). The numerous extra-illustrations are predominantly topographical and architectural drawings and engravings, but also include several maps, several portraits, and an election cartoon. Many of the drawings (probably including some that are unsigned) are by William Hutchinson himself. Some are by John Bailey (1750-1819, topographical painter, draughtsman and engraver), who was responsible for many of the published illustrations in Hutchinson’s works. Several are by Robert Hutchinson (d.1773), William’s brother, who also helped to illustrate William’s Excursions to the Lakes (published London, 1774), but died mid-way through its preparation. Other artists and draughtsmen represented among the extra-illustrations include George Nicholson (d.1793), architect and clerk of works to the Durham Dean and Chapter, John Lambert, Durham artist active in the city in the late 18th century, the amateur etcher Richard Wallis, rector of Seaham, and F. Gibson F.A.S.

Accession details

Not recorded.

Previous custodial history

Lozenge-shaped pressmark labels on the spines of the volumes indicate that, after their acquisition by the Cathedral Library, they were located for a time with the C manuscripts, but not assigned numbers in that sequence.
James Raine gives an account of the early history of these volumes in a note to his edition of George Taylor’s A Memoir of Robert Surtees (Surtees Society xxiv, p. 363). Raine says that one set of the History was struck off on folio size paper, interleaved and bound in six volumes. After Hutchinson’s death, this set (with one volume already missing) came into the possession of a Richmond bookseller, Mr. Bell, who offered it to Robert Surtees in 1815 for £50, but Surtees declined it. Bell later sold the set to Sir William Chaytor of Croft, who in turn sold it to Leonard L. Hartley (1817-84) of Middleton Lodge, Middleton Tyas, Yorkshire, at the sale of whose books, c.1850, it was acquired by a Bristol bookseller, who advertised it in his catalogue as Hutchinson’s History of Durham, prepared by its author for a new edition, whereas in Raine’s opinion “the MS. Additions consist almost entirely of nothing more than authorities at length, to which a reference had been made in the text by the author”. Inscriptions by Leonard L. Hartley in the volumes confirm that he bought the set from Sir William Chaytor, Bart, of Croft Hall on 19 September 1845, and indicate that he apparently sold it at some later date, and then repurchased it from Mr Allis, a bookseller in Covent Garden, 21 December 1865 (inscriptions in Sel.11).

Conditions of access

Open for consultation.

Copyright and copying

Permission to make any published use of material from the collection must be sought in advance from the Librarian and, where appropriate, from the copyright owner. The Library will assist where possible with identifying copyright owners, but responsibility for ensuring copyright clearance rests with the user of the material

Arrangement

The added matter is (for the most part) written, pasted or bound into the printed text at points appropriate to the subject matter, but occasionally the connection between an extra-illustration and the adjacent printed text is obscure.

Processing

Catalogued by Beth Rainey in WORD in 2008. Uploaded to XML by Michael Stansfield in May 2013.

Related material - here

Prints and Drawings Collection; George Allan Manuscripts (which Hutchinson used extensively in preparing his History), Sharp MSS 8-10 (Sir Cuthbert Sharp’s extra-illustrated set of Hutchinson’s History), Surtees MSS 23-25 (Robert Surtees’s extra-illustrated set of Hutchinson’s History).

Related material - elsewhere

Durham University Library Special Collections Old University MS E.I.13 (precedent book belonging to Hutchinson); Add. Mss 346, 1007, 1020 (letters to, from and about Hutchinson and his antiquarian interests); Add Mss 571-576, 1559-1562 (mss of literary works by Hutchinson).
Newcastle Central Library MS L920-H978 (correspondence of George Allan, predominantly letters to him from William Hutchinson).
Bodleian Library, Oxford MSS Gough.gen.top.43, Don.d.88 f.349-52, Eng. Misc.d.149-150, 152, 154, and Eng.lett.c.279 f.86-9 (letters to and from Hutchinson).

Bibliography

John Nichols, Illustrations of the Literary History of the Eighteenth Century, v. 1 (London, 1817), pp. 421-464 (memoir of Hutchinson and extracts from his correspondence)
J.C. Hodgson, “William Hutchinson, F.S.A., the historian of the three northern counties”, Archaeologia Aeliana, 3rd ser., 17 (1916), 166-183
C.M. Fraser. “Hutchinson, William (1732-1814)”, Oxford Dictionary of National Biography (http://www.oxforddnb.com/)
William Hutchinson, The Spirit of Masonry (Wellingborough, 1987), facsimile reprint of the 1775 ed., with new introduction and bibliography of Hutchinson’s works by Trevor Stewart
; Pictures in Print (online database of pre-1866 printed maps and topographical prints of County Durham, http://www.dur.ac.uk/picturesinprint/)

Catalogue

Sel.11
William Hutchinson’s annotated and extra-illustrated copy, on large paper, of his own work, The History and Antiquities of the County Palatine of Durham, vol. 1 (1785), up to p.300.
Ms additions to the text on p.xix-xxviii, xxx-xxxi, xxxiv-xxxvi, 1-3, 5-36, 38-50, 54-69, 71, 74, 76, 78-9, 115, 122, 128-35, 247, 249-52, 254-60, 266-68. 272, 278-79, 282, 284-91, and 299, and on three additional leaves, one bound in after p.60 and two after p.62.
Lacks the engraved portrait of Bishop Egerton (to whom the book is dedicated), which is normally bound as a frontispiece facing the title-page, but a copy is bound at the end of Sel.12, facing p.588. Also lacks the “Episcopatus Dunelmensis” map which normally faces leaf A1, and the plate of Lindisfarne priory ( “Lindisfarn. N. Aspect”) which normally faces p.29. The engraved vignette at the head of A1, showing a monk holding a map of St Cuthbert’s patrimony with Durham cathedral in the background, is pasted in, rather than printed on the page. The plate of the east façade of Durham Cathedral, which normally faces vol. 2, p.225, is here bound facing vol. 1, p.181. Another copy of it is bound in Sel.13, after p.170.
Extra-illustrations:
Facing title-page
An accurate map of the County Palatine of Durham improved from the best surveys …and divided into its wards shewing the several roads and true measured distances between town and town …, by Thomas Kitchin, [London], printed for Carrington Bowles, John Bowles, & Robert Sayer, [1750]. Ward boundaries hand-coloured. Mounted and folded.
Size: 520 x 670 mm
Pictures in print 2188.
Facing p.xxvi
A Genealogical Table of the Kings of Bernicia and Deira, and of those united Provinces under the Title of Kings of Northumberland, folding table.
Size: c.440 x 560 mm
Published in Hutchinson’s A View of Northumberland, vol. 1 (1778), facing p.iii.
On p.xxviii (pasted to bottom margin)
Saxon coins.
Engraved plate
Size: c.120 x 170 mm
Published in Hutchinson’s A View of Northumberland, vol. 1 (1778), p.xxvii, where it has a printed caption “A Table of Coins”.
Facing p.xxviii
Bamburgh Castle entitled “Bambrough Castle” and signed “1773 JBailey del. et sc.”.
Engraved plate
Size: 132 x 185 mm (platemark)
Published in Hutchinson’s A View of Northumberland, vol. 2 (1778), facing p.155.
Another copy is bound in Sel.14, after p.484.
Facing p.xxx
Yeavering Bell, Northumberland, two views of tumulus within a rampart and ditch, seen from above and from the side.
Etching
Size: c.210 x 140 mm (platemark)
Published in Hutchinson’s A View of Northumberland, vol. 1 (1778), facing p.246.
Before p.9
Tynemouth priory, by Hutchinson, captioned at top left corner “Tinmouth WH 1775” .
Watercolour drawing
Size: 160 x 220 mm (image area)
Before p.9
Tynemouth priory, captioned in bottom margin “Tynmouth JBailey del. et scul. 1776”.
Engraving
Size: 173 x 215 mm (platemark)
Published in Hutchinson’s A View of Northumberland, vol. 2 (1778), facing p.341.
Another copy of this engraving is bound in Sel.14, facing p.341.
On p.16 (pasted to bottom margin)
“Hexham Abbey”. Image may have been trimmed to an oval shape rather than being printed thus.
Engraving
Size: Oval, c.90 x 140 mm
On p.22 (pasted to lefthand margin)
“Thomas Pennant, Esq.”, [Thomas Pennant, 1726-98, naturalist, traveller and writer], portrait.
Engraving
Size: Oval, c.67 x 52 mm
Cf. unidentified red chalk drawing in Sel.13, p.41 – also Pennant?
On p.26 (drawn in the bottom margin within a penciled oval)
Crayke Castle, Yorkshire, by Hutchinson captioned “Crake Cast.” and signed “W.H., 31 Augt. 1787”.
Watercolour drawing
Size: Oval, 85 x 113 mm
Facing p.29
Lindisfarne Castle, by Hutchinson, captioned “The Cast. of Holy Island” and signed W. H..
Ink and watercolour drawing
Size: 109 x 152 mm (image area)
On p.35 (drawn in bottom margin)
Empty pencil oval, captioned “Warkworth Castle” but never filled in.
On p.54-56 (drawn in bottom margins)
Pencil ovals, not filled in but with pencil notes above, respectively “Bailey’s view”, “Grose’s view of the Castle”, and “Grose’s view of [illegible]”. Ms additions to the text on these pages are written across the ovals.
On p.73 (tipped in on righthand margin)
Chester-le-Street church, dog-toothed Norman arch and altar beyond.
Iink and wash sketch Engraved plate
Size: 82 x 32 mm (paper size)
After p.132
Religious of various orders. The first, entitled “Ordinis Monachici”, shows five figures - a Benedictine monk, a Benedictine novice, a Cluniac monk, a Cistercian monk, and a Carthusian monk - set within niches in a stone screen. The second, entitled “Canonici Regulares Augustiniani” shows 8 figures captioned, respectively, Canonicus Regularis S. Augustini, Eq. Hospitalaris Templarius, Canonicus Regularis S. Sepulchri, Canonicus Regularis Ordinis Praemonstratensis, Canonicus Regularis Ordinis Sti Gilberti, Monialis Ord. S. Gilberti, and one uncaptioned figure.
Ink and wash drawing
Size: 2 sheets, 235 x 360 and 255 x 365 mm (page sizes)
Facing p.140
Ground plan of Durham Cathedral, cloisters and chapter house, signed Geo. Nicholson. Folded.
George Nicholson (d. 1793) was “Resident Architect” and clerk of works to the Durham Dean and Chapter from c.1774 until his death.
Bar scale: 11 inches = 210 feet
Ink and wash
Size: 652 x 422 mm (area within frame)
On p.147 (drawn in bottom margin)
Empty pencil oval, captioned “Mr Grose’s Norham” but never filled in.
On p.148 (drawn in bottom margin)
Norham Castle, by Hutchinson, signed “W H del. This drawing was taken at the same time with Mr. Bailey” [cf. next item].
Watercolour drawing
Size: Oval, 86 x 112 mm
On p.149 (pasted to bottom margin)
Norham Castle, signed “JBailey del.sc.”.
Engraving
Size: Cropped into an oval shape, 65 x 114 mm (image area)
Published in Hutchinson’s A View of Northumberland, vol. 2 (1788), p.28.
Facing p.150
Durham Cathedral north façade, signed Geo. Nicholson [i.e. George Nicholson, d. 1793, architect and clerk of works to the Durham Dean and Chapter]. Folded.
Bar scale: 10½ in. = 200 feet
Ink and wash drawing
Size: 398 x 605 mm (area within frame)
The original drawing for the engraved plate entitled “Durham Abbey from admeasurement by G. Nicholson Archt 1780” published in Hutchinson’s History and Antiquities of the County Palatine of Durham, vol. 2 (1787), after p.224.
There is a copy of the engraving in Sel.13, facing p.62.
Facing p.156
Portrait entitled “Revd. Mark Noble” and signed “Hancock sc.”. [Mark Noble, 1754-1827, biographer and antiquary, was the author of Two Dissertations upon the Mint and Coins, of the Episcopal-Palatines of Durham, 1780.]
Engraving
Size: 176 x 126 mm (platemark)
Facing p.164
Seal of Bishop Hugh Puiset. Cropped with loss of engraver’s name.
Engraving
Size: c.95 x 80 mm (image area)

Facing p.170
Warkworth Castle, signed “J Bailey sc.”.
Engraving
Size: 172 x 222 mm (platemark)
Published in Hutchinson’s A View of Northumberland, vol. 2 (1778), facing p.257.
After p.192
Alnwick Castle, signed “J Bailey sc.”.
Engraving
Size: 192 x 256 mm (platemark)
Published in Hutchinson’s A View of Northumberland, vol. 2 (1778), facing p.193.
Facing p.258
Berwick-on-Tweed Castle, by Hutchinson, captioned “The Castle of Berwick so famous in History. Sketched 17 Sept 1788 W. H.”, with warning “WET”, also in wash, at foot.
Watercolour drawing
Size: 109 x 160 mm (sheet size)
Facing p.260
Beau Repaire, the priory ruins captioned “A S.E. Aspect of Beau Repaire or Bearpark” [rest of caption cropped].
Watercolour drawing
Size: 130 x 239 mm (sheet size)
Sel.12
William Hutchinson’s annotated and extra-illustrated set, on large paper, of his own work, The History and Antiquities of the County Palatine of Durham, vol. 1 (1785), pp.301-592.
Ms additions to the text on pp.301, 304-6, 313-4, 365, 396-7, 401-7, 413, 417-8, 424-5, 428, 441-2, and 463.
Lacks the engraved plate entitled “Durham coinage” which normally faces p.444. Also lacks the engraved vignette of the seal of Bishop James on p.481. The empty space on the page has a pencil note “to paste here”. Some other plates are bound one or two pages before or after the standard position. The engraving of Bishop Egerton normally bound as frontispiece to vol. 1 here follows p.588.
Extra illustrations:
Facing p.311
Bishop Hatfield’s tomb in Durham Cathedral, pencil outline of the whole with a more finished ink, wash and pencil drawing of the lower part of the tomb pasted on to the pencil outline.
Pencil/wash and pencil
Size: 295 x 135 mm (image area)
Facing p.365
Brinkburn priory, by Hutchinson captioned “Aspect Brinkburn W:H 1776”.
Ink and watercolour drawing
Size: 145 x 171 mm (image area)
Hutchinson’s A View of Northumberland, vol. 2, p.280 has an oval engraved vignette of Brinkburn from a different aspect, signed “JBailey del. & sc.”.
Facing p.390
Ford Castle, Northumberland, captioned “Foord Castle South Aspect” and signed “JBailey del. et sculp.1779”.
Engraving
Size: 162 x 228 mm (platemark)
Published in Hutchinson’s A view of Northumberland, vol. 2 (1778), facing p.19.
Facing p.392
Westminster Abbey north facade, captioned in a cartouche below “Westmonasteriensis Ecclesiae Conventualis facies aquilonalis Drawn from an Engraving of Wenceslaus Hollar the Bohemian 1654”.
Ink and wash drawing
Size: 255 x 364 mm (image area without the cartouche 165 x 320 mm)
Facing p.508
“Armorial bearings of the Cromwells at Hinchinbrooke-House”, laid out in four sections labelled Parts I-IV. Folded.
Engraved plate
Size: 402 x 202 mm (platemark).
Facing p.556
Exeter Cathedral, [copied from an engraving?] captioned “Exoniensis Ecclesiae Cathedralis facies Occidentalis”.
Ink and wash drawing
Size: 364 x 255 mm (page size)
On p.587 (pasted to bottom margin)
“Glynd Place”, house and gardens in front. The printed text on this page gives a summary of Bishop Trevor’s will, which included a bequest to the poor of Glynd parish, Sussex.
Engraving
Size: Oval [possibly trimmed to this shape], 60 x 84 mm (image area)
On p.588 (pasted to bottom margin)
Both sides of the seal of Bishop Trevor.
Engraving
Size: 64 x 135 mm
Sel.13
William Hutchinson’s annotated and extra-illustrated set, on large paper, of his own work, The History and Antiquities of the County Palatine of Durham, vol. 2 (1787), p.1-300.
Ms additions to the text on p.61-88, 90-100, 119, 263, 270-71, 290, 296-7, and 300, and on four additional leaves bound in after p.80, and another after p.92.
Lacks the engraved title-page with its vignette of “A view of Durham from Castle Chair”; the engraved folding plate of Bishop Puiset’s Durham city charter and its confirmation by Pope Alexander, which normally faces p.13; and the engraved vignette on p.248 of “The Chest in which St Cuthbert’s Body was deposited”.
The plate of “Durham Abbey from admeasurement by G: Nicholson Archt 1780”, which normally follows vol. 2, p.224, is here bound facing p.62. The original drawing for this plate is in Sel.11, after p.150.
The plate of the east façade of Durham Cathedral which normally faces vol. 2, p.225 is here bound after p.70. Another copy is bound in Sel.11, facing p.181.
The plate of Old Durham which normally faces vol. 2, p.308 is here bound facing p.14.
The plate of Roman stones from Glannibanta (Roman station near Lanchester) which normally faces vol. 2, p.360 is here bound before p.63.
In this vol. engraved vignettes and engravings in the text (on p.1, 91 and 104) are actually printed on the page, as standard in the published volume, rather than pasted in.
Extra illustrations:
On p.41 (pasted to bottom margin)
An unidentified man.
Red chalk drawing
Size: Oval, 125 x 87 mm
Cf. the engraving of Thomas Pennant in Sel.11, p.22 (image reversed but similar?).
Facing p.293
Map of the area around Durham City, from “Harbras” [Harbour House?] in the north to Sunderland Bridge in the south, and from Broom Hall in the west to Sherburn Hospital in the east. Shows roads, river, country houses, etc. Other named items include Charley Cross, Phipson’s Cross [i.e. Philipson’s Cross, on the road from Durham to Shincliffe], Neville’s Cross, and “Jewit Mines” [on Durham Moor].
Ink and watercolour
Size: c.190 x 150 mm (image area)
Facing p.298
Kepier Hospital.
Ink and wash drawing
Size: 115 x 225 mm (image area)
Sel.14
William Hutchinson’s annotated and extra-illustrated set, on large paper, of his own work, The History and Antiquities of the County Palatine of Durham, vol. 2 (1787), p.301-616.
Ms additions to the text on p.302, 318-34, 324-5, 328, 357-8, 371, 435-6, 448, 453-4, 466-7, 470, 472-6, 491, 497, 506-8, 512-4, 540-2, and 549-52, and on three additional leaves bound in after p.390, and one after p.508.
Lacks the plate of Old Durham and Maiden Castle which normally faces p.308, but a copy is bound in Sel.13, facing p.14.
Lacks the plate of Roman stones from Glannibanta (Roman station near Lanchester), which normally faces p.360, but a copy is bound in Sel.13, before p.63.
Lacks the plate of Gibside, which normally faces p.452, and the plate of Hylton Castle which normally faces p.508.
Lacks the plate of Houghton Hall which normally faces p.540, but a copy is bound in Sel.15, facing p.177 [i.e. misplaced in the section on Haughton-le-Skerne].
The plate of Lumley Castle which normally faces p.399, and the plate of Chester-le-Street parish church which normally faces p.391, are here bound before p.387.
Some other plates are slightly misplaced from their standard positions.
Lacks the engraved vignettes of Monkwearmouth Church at head of p.501, Sunderland Parish Church on p.516, and Thomas Leaver’s memorial brass in Sherburn Hospital chapel on p.584. The engraving of the seal of St Edmund’s Hospital, Gateshead, on p.459 is pasted in, rather than printed on the page. The engraved vignettes of Bishopwearmouth parish church on p.511 and Houghton-le-Spring church on p.538 are also pasted in, rather than printed on the page, and are without captions. Other engraved vignettes and engravings in the text are printed on the page as standard.
Extra illustrations:
On p.302 (drawn in the margin and on the pedigree of Heath on the page)
Arms of Heath of Kepier (fully tricked) and two other coats of arms (not coloured).
Ink and watercolour drawing
On p.303 (pasted to righthand margin)
Wooden effigy in St Giles Church, Durham, with inscription on base, on either side of two skulls, “Hodie Michi Cras Tibi”. Captioned “An old wooden effigie in St Giles’s Church Durham which formerly has lain prostrate upon a Tomb of one of the Heath’s Family – ancestors of Mr. Tempest”.
Ink and wash drawing
Size: 139 x 46 mm (curved at head)
On p.303 (pasted to righthand margin)
A cross slab [perhaps in St Giles Church, Durham].
Pencil, ink and wash drawing
Size: 130 x 50 mm
On p.303 (pasted to bottom margin)
Captioned “St Giles’s Church Durham from the South [another word cropped]”.
Ink and wash drawing
Size: Oval, 88 x 115 mm
On p.309 (drawn on the page)
The ruins of the 15th century chapel of St Mary Magdalen, Gilesgate, Durham, captioned in a scroll on the drawing “Magdalen Chap.I. Lambert 1783” [i.e. John Lambert, Durham artist active in the city in the late 18th century].
Watercolour drawing
Size: Oval, 85 x 113 mm
Facing p.308
Maiden Castle, with Durham Cathedral and Castle in the distant background, cattle (unconvincingly drawn) and river in the foreground, from across the river at Old Durham. Title in a pencil scroll “View from Old Durham copied from a drawing by Sykes”. Ink note below in the hand of Leonard L. Hartley “Compare this with ‘Camp at Maiden Castle near Old Durham’ inserted in the Archaeologia vol. vii p.75 Leonard L. Hartley’s remark” [i.e the engraved plate of Maiden Castle signed “R. Waugh del. 1783 Basire sc.” which illustrates an article by John Cade, “Conjectures concerning some undescribed Roman roads, and other Antiquities in County Durham”, published in Archaeologia, vol. 7, p.74-81].
Watercolour drawing
Size: 253 x 363 mm (paper size)
On p.314 (drawn in lefthand margin)
Head of a column in St Oswald’s Church, Durham.
Ink and wash sketch
Size: 17 x 16 mm
Before p.317
Durham riverbanks, showing the river and riverside path with St Oswald’s Church above, captioned “Drawn by Mr. Robt. Hutchinson” [i.e. Robert Hutchinson, d. 1773, William Hutchinson’s brother]. The original drawing for the plate “Durham Banks” which normally faces vol. 2, p.316 but here follows it. In the engraving, which is signed “W Hutchinson del. 1781, JBailey sc.”, two small figures walking along the path have been added.
Ink and wash drawing
Size: 281 x 396 (image area)
On p.321 (pasted to bottom margin)
Finchale Abbey, with ms caption “A proof from a plate of Mr Groses”.
Engraving
Size: 112 x 150 mm (image area)
After p.322
Finchale Abbey, by Hutchinson with caption “This drawing was made about 40 years ago by W. H..”.
Ink and wash drawing
Size: Oval, 180 x 150 mm (image area).
On p.323 (drawn in the bottom margin)
Finchale Abbey, captioned “From a sketch by Mr R. Hutchinson” [i.e. Robert Hutchinson, William’s brother].
Ink and wash drawing
Size: Oval, 115 x 142 mm
On p.335 (pasted to bottom margin)
The ruins of Beaurepaire (Bearpark), a medieval manor house which served as an out-of-town residence for the priors of Durham.
Ink and wash drawing
Size: Oval, 115 x 139 mm
The engraved vignette of Beaurepaire published in Hutchinson vol. 2, p.338 shows a different aspect of the ruins.
Facing p.338
The ruins of Beaurepaire captioned “West View of Bear Park near Durham Sepr. 19th 1778”, with a key to the positions of, respectively, dwelling house, hall and study.
Ink and wash drawing
Size: 185 x 270 mm (image area)
Facing p.348
“Witton Gilbert Par.” , map of the parish of Witton Gilbert, from Kimblesworth in the north to Broomhall in the south, and from Langley Hall in the west to Chester-le-Street in the east.
Ink and watercolour
Size: c.140 x 112 mm (image area)
On p.365 (drawn in margin)
Arms of Tempest family.
Size: 42 x 36 mm
Facing p.386
“Chester Parish without the Chapelrys”, map of the parish of Chester-le-Street, from “Aylon Banks” in the north to “Sacriston Heugh” in the south, and from West Edmondsby in the west to Harraton in the east.
Ink and watercolour
Size: c.180 x 172 mm (image area)
On p.391 (drawn in the righthand margin)
Stonework in Chester-le-Street parish church, captioned “Example” .
Ink and wash drawing
Size: 25 x 18 mm
On p.392-395 (drawn in the margins)
Coats of arms and heads of effigies of members of the Lumley family in Chester-le-Street church.
10 small ink and wash drawings
On p.399 (pasted to bottom margin)
Lumley Castle from the south west.
Ink and wash drawing
Size: 77 x 134 mm
Facing p.417
Ravensworth Castle.
Unfinished ink and wash sketch.
Size: 160 x 301 mm (image area)
Facing p.443
“A Northern Ass”, caricature attacking Sir Thomas Clavering and Sir John Eden, the successful candidates at the 1784 parliamentary election for Durham County. H. R. Klieneberger, Durham Elections: a List of Material (1956), no.110. Shows a headless male figure on an ass. Bending over him from behind, with one hand on his shoulder and the other holding a scroll reading “Coal owners Bill” is another man with head but no legs. Ass and men all bear various slogans relating to parliamentary elections, Ireland and the coal trade, and a scroll from the ass’s mouth reads “Thus I go to Parliament, and am not the first Ass that has farted for preferment, but this is dirty work and hard labour”. At the foot a bishop’s crozier is crossed with a sword, with the slogan “At rest”. In the bottom righthand corner is a milestone with lettering “From Durham” and “T.C. J.E. 14 April 1784”.
Engraved
Size: 157 x 211 (platemark)
On p.443 (pasted to bottom margin)
The lantern of St Nicholas’s Church, Newcastle-upon-Tyne.
Woodcut
Size: Oval [possibly trimmed to this shape], 143 x 114 mm
On p.449 (pasted to bottom margin)
Whickham church from the south.
Ink and wash drawing
Size: 91 x 176 mm
On p.467 (drawn in the righthand margin)
Coat of arms in one of the east windows of Gateshead parish church.
Ink drawing
Size: 53 x 39 mm
On p.475 (drawn in the margins)
Relating to Jarrow, captioned respectively “Specimens of Architecture” (two drawings of arch mouldings), “A monument lately dug up” (a carved stone), and “Bede’s Chair From the Antiq. Repertory”.
Four small ink and wash marginal drawings
Size:
On p.476 (drawn in the bottom margin)
Jarrow Church, the dedication stone, captioned “As the inscription appeared before removal”.
Ink and wash drawing
Size: 62 x 76 mm
On p.477 (drawn in the bottom margin)
Jarrow Church and bridge, captioned “From Mr. Grose drawn in 1773”.
Ink and wash drawing
Size: Oval, 116 x 143 mm
On p.478 (pasted to bottom margin)
Captioned “Heworth Chap.Sketch’d by Mr Bailey 1782”.
Ink and wash drawing
Size: Oval, 85 x 113 mm
On p.482 (pasted to bottom margin)
South Shields church from the south, with ships in the background, captioned “S. Shields sketched by Mr Bailey 1782”.
Ink and wash drawing
Size: Oval, 114 x 145 mm
After p.484
“Bambrough Castle”, Bamburgh Castle signed “1773 J Bailey del. et sc.”.
Engraving
Size: 132 x 185 mm (platemark)
Published in William Hutchinson’s A View of Northumberland, vol. 2 (1778), facing p.155.
Another copy is bound in Sel.11, after p.xxviii.
After p.484
“Warkworth Castle”, signed “J Bailey sc.”.
Engraving
Size: 173 x 225 (platemark).
Published in William Hutchinson’s A View of Northumberland, vol. 2 (1778), facing p.257.
After p.484
“The north west view of Tynmouth”, the ruins of Tynemouth priory, signed “J Bailey sc. Wm Hutchinson del.”.
Engraving
Size: 138 x 186 mm (platemark)
Published in William Hutchinson’s A View of Northumberland, vol. 2 (1778), facing p.343.
Facing p.485
“Tynmouth”, part of the ruins of Tynemouth priory, signed “JBailey del. et scul. 1776”.
Engraving
Size: 175 x 223 mm (platemark)
Published in William Hutchinson’s A View of Northumberland, vol. 2 (1778), facing p.341.
Another copy of this engraving is bound in Sel.11, before p.9.
On p.489 (pasted to bottom margin)
Washington church, Co. Durham, captioned “Washington Ch. Sketch’d by Mr Bailey 1782”.
Ink and wash drawing
Size: Oval, 83 x 113 mm
On p.490 (drawn in the margins)
Seven coats of arms and a crest of the James family in the porch of Washington church.
Ink sketches
On p.509-510 (drawn in the margins)
Nineteen coats of arms from Hylton Castle on p.509 and three more on p.510.
Small drawings
On p.513 (pasted to righthand margin)
Middleton effigy in Bishopwearmouth church.
Ink and wash drawing
Size: 75 x 52 mm
On p.527 (pasted to bottom margin)
St John’s Chapel, Sunderland [demolished in 1972].
Ink and wash drawing
Size: Oval, 115 x 142 mm
On p.534 (pasted to bottom margin)
By Hutchinson of Seaham church from the north, and of a stone coffin in the churchyard (said by Hutchinson to have been lately dug up), lettered on the coffin lid “Hic jacet Richardus vics. de Sehaiam”. The drawing is captioned “Seaham Ch. 7th Oct. 1783 W. H. del.”, and below “Cover stone of the coffin”.
Ink and water colour drawing
Size: Oval, 114 x 143 mm
After p.538
Houghton-le-Spring church, signed “Richd Wallis 1785”. [Wallis was Rector of Seaham.]
Etching
Size: 126 x 175 mm (platemark).
On p.540 (drawn in bottom margin)
The “ground plot” [ground plan] of the clustered pillars in Houghton-le-Spring church, and of the armorials there of Cosin (on the north-side chancel stalls) and Belasis and Davenport (on the south side).
Small ink drawings
On p.544 (drawn in bottom margin)
The inscription and armorial on the tomb of Bernard Gilpin in Houghton-le-Spring church.
Ink and wash drawing
Size: 42 x 110 mm
On p.572 (pasted to bottom margin)
View of the ruins of Finchale Abbey from the upper terrace of Ralph Carr’s mansion at Cocken, with two small figures in the foreground, admiring the vista.
Ink and wash drawing
Size: 138 x 163 mm
On p.573 (pasted to bottom margin)
By Hutchinson of Dalton-le-Dale church, captioned “Dalton Ch. 7th Oct. 1783 W. H.”. In the righthand margin of the page, drawn directly on it, there is an ink and wash drawing of an armorial, probably from a monument in the church.
Pencil, ink and watercolour drawing
Size: Oval, 83 x 111 mm
On p.574 (pasted to bottom margin)
By Robert Hutchinson of buildings at Dalton-le-Dale, captioned “S E View. Gateway at Dalden. Robt. Hutchinson delt. The one end of an old Chapel the other a Farmhouse”. The caption is written partly on the pasted-in drawing, and partly directly on the page below.
Ink and wash drawing
Size: 119 x 64 mm
On p.575 (pasted to bottom margin, with caption written beneath, directly on the page)
By Robert Hutchinson of the ruins of the medieval Dalton Tower [alternative spellings Daldon or Dawdon], captioned “inside view of the ruins of Daldon. Drawn by Mr. R. H.”.
Pencil, ink and watercolour drawing
Size: Oval, 114 x 143.
On p.576 (drawn in lefthand margin)
The heads of pillars in Easington church, captioned “Specimens of Architectr.”.
Two small ink and wash drawings
On p.583 (pasted to bottom margin)
Captioned in ms “Pittington-hall” [i.e. Hallgarth, Pittington, rather than the medieval Pittington hall built by Prior Whitehead, which was already ruinous by Hutchinson’s time].
Woodcut
Size: 43 x 85 mm
On p.585 (drawn in righthand margin)
Effigy in Pittington churchyard, captioned “probably this figure belonged to the monument on which the inscription is cut, tho’ it now lies at some distance”.
Watercolour drawing
Size: 91 x 30 mm
On p.585 (pasted to bottom margin, with caption written above, directly on the page)
By Robert Hutchinson captioned “Ludworth Tower [Pittington parish] drawn by Mr. R. H.”
Ink and watercolour drawing
Size: Oval, 143 x 114 mm
Facing p.589
“A west view of Shereburn Hospital in the County of Durham”, Sherburn Hospital signed “R. Hutchinson delin. J Bailey sculp.1772”.
Engraving
Size: 168 x 215 mm (platemark)
Published as frontispiece to George Allan’s Collections relating to Sherburn Hospital (1771).
Pictures in print 2556.
Sel.15
William Hutchinson’s annotated and extra-illustrated set, on large paper, of his own work, The History and Antiquities of the County Palatine of Durham, vol. 3 (1794), up to p.264, plus part of the appendix of pedigrees.
The only ms additions to the text in this vol. are a transcript from the Gentleman’s Magazine about Greatham Hospital, bound in after p.92, and marginal notes on p.107-108. The appendix of pedigrees, which is normally bound between p.522 of vol. 3 and the index, is here misbound after the last page (p.xvi) of the preface to the volume, with p.xvii-[xxxii] of the appendix [confusingly also numbered using small roman numerals] preceding p.i-xvi of the appendix, and with all leaves of the appendix after p.[xxxii] lacking. Adding to the confusion, p.1-8 of the main text are misbound after p.i of the preface. Quires p (pp.113-20) and x-y (pp.161-76) are on ordinary rather than large paper. The rest of vol. 3 [i.e. p.265-522 and the index] were presumably bound in the sixth physical vol. of the set, which was already missing when the set first changed hands after Hutchinson’s death.
Lacks the plate of Barnard Castle church which normally faces p.245. The engraved plate of St Hilda’s Church, Hartlepool and rocks at Hartlepool, which normally faces p.33 is here bound facing p.28. The engraved plate of Houghton Hall which normally faces p.540 of vol. 2, in the section on Houghton-le-Spring, is here misbound facing vol. 3, p.177, in the section on Haughton-le-Skerne. The engraved plate of objects associated with Barnard Castle church, which normally faces p.243, is here bound facing p.232, with an erroneous pencil note that it does not appear in the ordinary paper edition of the work. The plate of Raby Castle which normally follows p.264, is here bound facing p.262. Lacks the engraved vignettes of Sedgefield church on p.49 and Egglescliffe church on p.137. The engraved vignette of Barnard Castle church on p.229 is here pasted to the page rather than printed on it. Other engraved vignettes and engravings in the text are printed directly on the page, as standard.
Extra-illustrations:
Before p.i of appendix of pedigrees
“ George James Riddell of Loddon, in the County of Norfolk, Esqr. … Publish’d … April 1st 1784” , portrait signed “J. Downman pinxt. F. Bartolozzi sculp.”. [Riddell died from wounds received after a duel, according to the lettering below the platemark.]
Engraving
Size: Oval, 306 x 230 mm (platemark)
On p.16 (pasted to lefthand margin, with caption written directly on the page above)
Sculpture of a man holding a small armorial shield bearing a cross, captioned “A rude sculpture in relief on the outside wall of the Church [i.e. Hart church]”.
Ink and wash drawing
Size: Oval, 94 x 72 mm
On p.16 (pasted to bottom margin, with caption written directly on the page above)
Exterior of Hart church from the south, captioned “S. front of Hart Church. Bailey” [i.e. drawn by J. Bailey?].
Ink and wash drawing
Size: Oval, 113 x 150 mm
On p.17 (pasted to bottom margin, with caption written directly on the page above)
Captioned “The font in Hart Church. Bailey” [i.e. drawn by John Bailey?]. Part ( “t Church”) of a caption written on the drawing itself, before it was trimmed to its present shape, survives at bottom left.
Ink and wash drawing
Size: Oval, 141 x 109 mm
Facing p.18
Carvings on the font in Hart church, captioned “Font in Hart Church 1779”. Drawn on a slip of paper bound into the volume. On the other side of the slip are ms verses relating to John, son of John and Ann Tinley, [died] May 8 1770, and Alice, wife of William Hanwell, [died] 1764 aged 27, perhaps taken from their tombstones at Hart.
Ink drawing
Size: c.196 x 135 mm (paper size)
On p.25 (pasted to bottom margin)
A tombstone [at Hart] with two carved figures side by side, captioned “A flat stone in the Church Yard – the inscription defaced; what remains appears of the Saxon Character”.
Ink and wash drawing
Size: Oval, 150 x 115 mm
Facing p.26
Captioned “Chapel in the Wall of Hartlepool Bailey” [i.e. drawn by J. Bailey?]. On a slip of paper bound into the vol.
Pencil, ink and watercolour drawing
Size: 106 x 150 mm (image area)
Before p.29
[By Hutchinson?], captioned in pencil on the drawing “S.W. Aspect of Rocks at Hartlepool Augt 1780”.
Ink and watercolour drawing
Size: 183 x 277 mm (image area)
The original drawing for the engraving [integral to the book, not an extra-illustration] entitled “Rocks at Hartlepool” and signed “W Hutchinson del. 1782” on the plate which is normally bound facing p.33 but here faces p.28.
After p.32
Captioned “Exterior and interior view and section of the round tower [at Hartlepool] at low water”. High water mark is indicated, and also the position of a hook for a chain which was stretched across to another tower on the opposite side of Hartlepool harbour.
Ink and wash drawing
Size: 132 x 190 mm (image area), 200 x 291 (sheet size into the gutter of the vol.)
After p.32
Captioned “South view of Hartlepool Church. F. G. delin.” [i.e. F. Gibson].
Ink and wash drawing
Size: 137 x 243 mm (approx. image area), 245 x 315 mm (page size into the gutter of the vol.)
Facing p.33
Captioned “Ancient priory at Hartlepool. F. Gibson F.A.S. delin.”. Shows the shell of the mansion which was built on the site of Greyfriars priory after the dissolution of the monasteries.
Ink and wash drawing
Size: 146 x 261 mm (image area)
Facing p.34
One above the other, the top one captioned “A specimen of the architecture of the Church [St Hilda’s, Hartlepool] formerly an entrance at the west end”, the lower one showing the gateway in the Hartlepool town walls which was the chief entrance to the town from the road to Durham.
Two ink and wash drawings
Size: Upper drawing, 148 x 105 mm. Lower drawing, 44 x 104 mm.
A woodcut of the same gateway is printed on p.27 of the volume, but the details are not identical to this drawing.
Facing p.36
Captioned “Wall at Hartlepool Bailey” [i.e. drawn by J. Bailey?], showing a stretch of the remains of the town wall and fortifications by the shore, with cottages and fishing boats.
Pencil and wash drawing
Size: 138 x 195 mm (image area)
Facing p.92
Transcript of a letter published in The Gentleman’s Magazine, Dec. 1788, p.1046, describing the contents of a grave excavated at Greatham when the old chapel there was demolished in 1788, with a drawing of the wooden effigy over the tomb and the chalice found within the coffin. With a supplementary note by Hutchinson that he visited the chapel in August 1783 when the tomb was still undisturbed, and an ink and wash drawing (57 x 151 mm) of the effigy as he saw it then.
After p.248
Yellow flowers, captioned “Ornithologium luteum Hudson’s Flora Anglica p.143 On the Banks of the Tees opposite to Wycliffe”.
Watercolour drawing
Size: 382 x 246 mm (page size).
After p.248
Two wild flowers captioned, respectively, in ink “Scrapias latifolia Lin. Helleborine or Wild white Hellebore” and “Osmunda Spicant Lin. Rough Spleenwort”, and in pencil by a different hand “Daphne laureola – Laurel” and “Blectinum Spicant Withering 4th Ed.”.
Watercolour drawing
Size: 372 x 246 mm (page size)
After p.248
Flowering plant captioned in ink “Paris quadrifolia Lin. Spec.” and, faintly in pencil, “Solanum Tetraphyllum sive Herba Paris L. 137 T. 325”, and, more distinctly, “Var: quinquefolia”.
Watercolour drawing
Size: 355 x 251 mm (page size)